Sheet Music A to B

Carl Friedrich Abel (1723-1787) Piano Trio in A Major, Op.9 No.1	Not until Beethoven was the cello treated so well. The 1st of a groundbreaking set which served as models for Haydn & Mozart.
Carl Friedrich Abel (1723-1787) Piano Trio in C Major, Op.9 No.2	Historically important set of 6 trio sonatas which served as models for Haydn & Mozart. Good cello part.
Joseph Achron (1886-1943) Prelude for Violin and Piano, Op.13	Composed while still a student at the St Petersburg Conservatory, his composition teacher Anatoly Liadov thought it a superb work
Joseph Achron (1886-1943) Coquetterie for Violin and Piano, Op.15 No.2	An appealing trifle which makes a lovely encore. Dedicated to his violin teacher, Leopold Auer.
Joseph Achron (1886-1943) Les Sylphides for Violin and Piano, Op.18	A sparkling work with two lively outer sections and a lyrical middle. Great recital pieces or encore.
Joseph Achron (1886-1943) Hebrew Melody for Violin and Piano, Op.33	Inspired by Jewish Folk Music and often performed by Heifetz who championed this emotive work.
Joseph Achron (1886-1943) Hebrew Dance Violin and Piano, Op.35 No.1	A virtuosic rhapsody based on a Jewish folk melody, one of many discovered by the St Petersburg Society for Jewish Folk Music.
Joseph Achron (1886-1943) Hebrew Lullaby for Violin and Piano, Op.35 No.2	Creates a new Jewish style combining traditional elements to create a moody evocative work.
Joseph Achron (1886-1943) Dance Improvisation for Violin and Piano, Op.37	Based on a Hebrew folksong transcribed by Achron, this show pieces gives an example of how a virtuoso might improvise.
Joseph Achron (1886-1943) Scher, A Hebrew Dance for Violin & Piano, Op.42	Based on an original Jewish Klezmer folk melody from a famous collection made by Russian ethnologists. Fine short work or encore.
Joseph Achron (1886-1943) Märchen for Violin and Piano, Op.46	A Jewish fairytale. The heavily ornamented violin part with its rhapsodic cadenza conveys the singing of a synagogue cantor.
Joseph Achron (1886-1943) Canzonetta for Violin or Cello and Piano, Op.52 No.2	An emotive work which Achron originally wrote as a Lied based on a poem by a Hebrew Poet.
Joseph Achron (1886-1943) Kindersuite for Clarinet, String Quartet & Piano, Op.57	Like Schumann's Kinderszenen, Achron's beautifully evokes the moods, games and scenes of childhood.
Nikolai Afanasiev (1821-1898) Prize Winning String Quartet "The Volga"	Full of beautiful Russian folk melody, highly evocative of the life of the Volga boatmen. Well-written, grateful parts for all
Nikolai Afanasiev (1821-1898) Double Quartet in D Major "Housewarming" (1875)	FOne of the few, perhaps the only double quartet not written by Spohr. Russian through and through. A superb work in every way.all
Olof Åhlström (1756-1835) Violin Sonata No.3 in d minor, Op.2 No.3	Historically important example of a late 18th Swedish violin sonata & a good candidate for the recital hall. Not difficult
Leopold Aimon (1779-1866) String Quartet No.1 in f minor, WoO1 (1813)	The 1st from his famous collection of 12 Late classical & early romantic. Good for concert as well as amateurs
Leopold Aimon (1779-1866) String Quartet No.3 in g minor, WoO3 (1913)	The third quartet from this series. Attractive Viennese type melodies & easy to play.
Leopold Aimon (1779-1866) String Quartet in C Major, Op.45 No.2	His music was once known and enjoyed as far away as Vienna by the likes of Beethoven who donated money to help get the qt published.
Leopold Aimon (1779-1866) String Quartet in d minor, Op.49	Not at all hard to play and an excellent choice for amateurs looking for an appealing work to present.
Feodor Akimenko (1876-1945) Petite Ballade for Clarinet & Piano, Op.19	A dreamy, emotive work showing some influence of the French impressionists.
Feodor Akimenko (1876-1945) Cantabile for Violin & Piano, Op.31 No.1	Darkly tinged and melancholy, but very lyrical, this is a fine evocative shorter work for recital of the late Romantic Russian eral.
Feodor Akimenko (1876-1945) Three Pieces for Violin & Piano (1912)	All 3---Valse, Doux Rève & Danse Rustique can be played where a short work is required or together in place of a sonata.
Feodor Akimenko (1876-1945) Violin Sonata No.1 in d minor, Op.32	Dedicated to Eugene Ysaye & gold medal winner at the1900 Paris Exposition, combines Russian folk music with French impressionism
Feodor Akimenko (1876-1945) Violin Sonata No.2 in G Major, Op.38b	Written two years after his first sonata, this one also combines Russian thematic material with French impressionism. Good choice for recital
Feodor Akimenko (1876-1945) String Trio in c minor, Op.7	An extraordinary work for this ensemble. A masterwork which deserves to be heard in concert
Isaac Albeniz (1860-1909) Tango in D for Piano Trio or String Qt or Vln & Pno from España, Op.165	The famous Tango in three very effective arrangements for either piano trio, string quartet or violin and Piano. Excellent encore piece.
Isaac Albeniz (1860-1909) Asturias from Suite Española No.1 for String Quartet	This evocative work for the piano, but better known as a transcription for guitar is equally as effective for quartet
Isaac Albeniz (1860-1909) Cadiz from Suite Española No.1 for String Quartet	Subtitled Saeta, a mournful Spanish religous song from Flamenco music. Originally for piano, but effective guitar as well as quartet
Isaac Albeniz (1860-1909) Catalonia from Suite Española No.1 for String Quartet	Subtitled Curranda, courtante in Italian, the music conveys the mood of a stately ancient dance of the Catalan province.
Isaac Albeniz (1860-1909) Cordoba from Cantos de España for String Quartet	Cordoba, sacred city to the Catholics and the Moors, the music combines these elements into an evocative work
Isaac Albeniz (1860-1909) Mallorca, Op.202 for String Quartet	Here the music conveys the calm and gentle sounds of the Mediterranean sea by which the isalnd of Mallorca is surrounded.
Isaac Albeniz (1860-1909) Sevilla from Suite Española No.1 for String Quartet	Originally for piano, the transcription for string quartet of this lively and evocative dance is as good as the original
Eugen d'Albert (1864-1932) String Quartet No.1 in a minor, Op.7	Brahms & Hanslick were astounded a 23 year old could write such a mature master quartet. Hear the soundbites.
Eugen d'Albert (1864-1932) String Quartet No.2 in E flat Major, Op.11	Dedicated to Brahms with his approval, this is a rich, late romantic work with many original ideas.
Johann Georg Albrectsberger (1736-1809) String Trio in C Major, Op.9 No.1	An early string trio (most likely 1760's) from the teacher of Beethoven, Hummel, Ries, Moscheles and many more. Historically important
Johann Georg Albrectsberger (1736-1809) String Trio in A Major, Op.9 No.2	The second of a set of six. Its four movements are an excellent example of the emerging early classical style though still with baroque touches
Johann Georg Albrectsberger (1736-1809) String Trio in F Major, Op.9 No.3	The third of a set of six. It is in the emerging Mannheim Classical style with three movements, but like the others has some baroque touches
Ernest Alder (1853-1905) Themes from the opera Le Cid for Piano Trio	In the time honored tradition of operatic transcriptions, so fine it can be listened to as pure chamber music.
Ernest Alder (1853-1905) Themes from the opera Samson & Dalila for Piano Trio	From one of the very best arrangers of all time & commisioned by the composer to reach a larger audience
Charles-Valentin Alkan (1813-1888) Grand Duo Concertant for Violin & Piano, Op.21	An exciting work full of dramatic Beethovian power. Idiosyncratic and original. Makes a strong impression.
Charles-Valentin Alkan (1813-1888) Sonata de Concert for Cello or Viola & Piano, Op.47	AOne of the most important cello sonatas to appear before in the mid Romantic era. A big, powerful work certainly deserving of a place in the recital hall.
Charles-Valentin Alkan (1813-1888) Piano Trio in g minor, Op.30	Powerful, dramatic and lyrical. There are quite a number of unique qualities in this attractive mid romantic work.
Eyvind Alnæs (1872-1932)) Suite in D Major for 2 Violins & Piano, Op.32	An unknown gem, without doubt one of the very best works for this combinations. Great for conert & home.
Franz d'Alquen (1804-1877) String Trio in C Major (1849)	A very popular work with appealing melodies, good part writing & no technical difficulties. Perfect for amateurs.
Alexander Alyabiev (1787-1851) Piano Trio in a minor	Historically important as the most important, & quite possibly, the only example by a Russian from the early romantic era.
Alexander Alyabiev (1787-1851) Piano Quintet in E flat Major (1818)	Another historically important work as perhaps the first example of a quintet for piano & string quartet. In one substantial movement.
Alexander Alyabiev (1787-1851) Variations on a Russian Folksong for 2 Violins & Cello	*Based on the Russian Folksong In the garden* this is an effective and well-written set of variations.**
Alexander Alyabiev (1787-1851) String Qt No.3 in G Major "Nightingale" World Premiere	Among the best, early romantic era (1825) Russian string quartets. The slow movement is based on his famous song The Nightingale.
Nikolai Amani (1872-1904) String Trio, Op.1 (1900)	Winner of the Russian Musical Society's top prize in 1900. It has good part-writing & is suitable for concert or home.
Johan Amberg (1846-1928) Suite for Flute, Oboe, Clarinet & Piano (1905)	Beautifully written for all of the instruments. Catchy melodies. Fun to play and good for the concert hall.
Alfredo d'Ambrosio (1871-1914) String Quartet in c minor, Op.42	An original sounding work which combines late Central European Romanticism with tinges of French Impressionism.
Johann Amon (1763-1825) String Trio No.1 in e minor, Op.8 No.1	A tuneful concertante trio which makes no difficult demands on the players. A good choice for amateurs.
Johann Amon (1763-1825) String Quartet in B flat Major, Op.113 No.1	This pleasant work was dedicated to amateurs looking for an effective quartet to bring to the concert hall.
Johann Amon (1763-1825) Quintet No.1 in F Major for Winds & Strings, Op.110	Combines the early Romantic with concertante style intended to showcase the horn and the flute.
Johann Amon (1763-1825) Quintet No.2 in e minor for Winds & Strings, Op.118	Written in the concertante style this is a very attractive work, intended as a vehicle for horn & flute but with good part writing
Volkmar Andreae (1879-1962) Piano Trio No.1 in f minor, Op.1	A late Romantic masterpiece. Post-Brahmsian, powerful and compelling with excellent part-writing.
Volkmar Andreae (1879-1962) Piano Trio No.2 in E flat Major, Op.14	Powerful and dramatic, expertly combines elements of French impressionism with late German romanticism.
Volkmar Andreae (1879-1962) String Trio in d minor, Op.29	An important addition to the string trio literature. Appealing melodies in an early 20th century setting.
Volkmar Andreae (1879-1962) String Quartet No.1 in B flat Major, Op.9	Fresh and original. A first rate late-romantic-early modern work. Will appeal to pros & amateurs alike.
Volkmar Andreae (1879-1962) String Quartet No.2 in E Major, Op.33	An attractive early modern work superbly written which belongs in the concert hall but in no way beyond amateurs.
Elfrida Andrée (1841-1929) Piano Trio No.2 in g minor (1884)	The Chamber Music Journal calls it a first rate work. You would have of heard it had it been written by a man.
Elfrida Andrée (1841-1929) Piano Quintet in e minor	A fine work in the tradition of Mendelssohn and Schumann. Deserves concert performance.
Adam Andrzejowski (1880-1920) Romans for Violin and Piano	A late Romantic era work by a composer who was concertmaster and director of the Warsaw Philharmonic. Emotive encore work.
Conrad Ansorge (1862-1930) Sonata for Cello and Piano, Op.24	An extrarodinary work for its time (1909) or any time. A masterwork which makes a very powerful impression.
John Antes (1740-1811) 3 String Trios for 2 Violins & Cello, Op.3	Surprisingly advanced for the time (1775). Unlike Haydn or Mozart from this period, the cello is an equal of the violins
Georges Antoine (1892-1918) Sonata for Violin & Piano in A flat Major, Op.3	A dramatic, powerful and at times almost violient work, interspersed with lyricism In the French impressionist tradition with original touches.
Georges Antoine (1892-1918) Piano Quartet in d minor, Op.6	Late French impressionist work by a gifted Belgian composer. Engaging and interesting, not technically beyond amateurs as well.
Enrique Fernandez Arbós (1863-1939) Tres Piezas Originales en Estilo Español for Piano Trio	Three marvelous Spanish dances: a bolero, a habanera and a dance on gypsy themes. Very atmospheric.
Anton Arensky (1861-1906) Quatre Morceaux for Violin & Piano, Op.30	Four very effective and finely contrasting pieces, together the length of a typical sonata, make an excellent recital choice
Anton Arensky (1861-1906) Petite Ballade for Cello and Piano, Op.Op.12 No.1	The first of 2 pieces dedicated to Carl Davidov. A true recital work designed to show off the cellist's technique.
Anton Arensky (1861-1906) Danse Capricieuse for Cello and Piano, Op.Op.12 No.2	The first of two pieces dedicated to the famous virtuoso Carl Davidov. A beautiful romance.
Anton Arensky (1861-1906) Three Pieces for Cello and Piano, Op.56	Three lovely character pieces which take full advantage of the cello's singing qualities.
Anton Arensky (1861-1906) Piano Trio No.1 in d minor, Op.32	Unquestionably a masterpiece of the romantic trio literature. It has it all, wonderful melodies and part writing
Anton Arensky (1861-1906) Piano Trio No.2 in f minor, Op.32	A fine work, much like his First Trio. Tuneful, good part-writing, showing the influence of his mentor Tchaikovsky
Anton Arensky (1861-1906) Piano Quintet in D Major, Op.51	Hailed by critics as a masterwork from the composer's late period. A very effective, stunning work.
Anton Arensky (1861-1906) String Quartet No.1 in G Major, Op.11	Light, bright and charming, it concludes with an outstanding set of variations on a Russian theme.
Anton Arensky (1861-1906) String Quartet No.2 in a minor, Op.35/35a	Dedicated to the memory of Tchaikovsky and show his influence. This is a 1st rate very Russian sounding work.
Carl Arnold (1861-1906) Piano Sextet in f minor, Op.23	Dating from 1823, this is one of the earliest such works pre-dating Mendelsson. In the Beethovian tradition.
Juan Crististomo Arriaga (1806-1826) String Quartet No.1 in d minor	Hugely talented and known as the "Spanish Mozart", this is the most Spanish of his three string quartets.
Juan Crististomo Arriaga (1806-1826) String Quartet No.2 in A Major	His gift for lovely melodies is apparent from the bravura theme of the opening movement.
Juan Crististomo Arriaga (1806-1826) String Quartet No.3 in E flat Major	Shows how well he understood the Vienna Classical composers but adds his own original ideas and themes.
Algernon Ashton (1859-1937)) Arioso for Cello and Piano, Op.43	Fine writing for both instruments. A good recital choice where a short work is required.
Franz Asplmayr (1728-1786) String Quartet in D Major, Op.2 No.2	An historically important work from one of the leading composers of the early Vienna Classical Period.
Franz Asplmayr (1728-1786) String Quartet in D Major, Op.2 No.4	The 4th quartet from the 1760s which shows the newly emerging Classical Viennese style. It features many surprises for the time
Kurt Atterberg (1887-1974) String Quartet No.2 in b minor, Op.11	A powerful very late (1916) Romantic work pushing the boundaries of traditional tonality to new limits.
Kurt Atterberg (1887-1974) String Quartet No.3 in D Major	Begun 7 years before No.2 but not completed until 1937, this is a first class work, full of lovely melodies, frenetic energy. Compelling work.
Valborg Aulin (1860-1928)) String Quartet No.1 in F Major (1884)	This is a work which surely would have received concert performance had it been by a man. A solid work good for amateurs and pros.
Valborg Aulin (1860-1928)) String Quartet No.2 in e minor, Op.17	This is another solid work which is good to hear and not at all difficult to perform.
Ernest Austin (1887-1974) Piano Trio No.4, Op.26	A charming late Romantic, post Brahmsian work. Tonally appealing, and easy to play. A good choice for amateurs to perform.
Arno Babajanian (1921-1983) Violin Sonata in b flat minor (1959)	A massive, powerful work which unquestionably belongs in the repetoire where it already is in Russia
Arno Babajanian (1921-1983) Piano Trio in f# minor (1952)	One of the most important piano trios of the 20th century. Full of drama, memorable melodies & interesting rhythms.
Arno Babajanian (1921-1983) String Quartet No.3 'In Memory of Shostakovich' (1976)	Composed shortly after the death of his friend, the famous Russian composer. Though very modern, still uses Armenian folk harmonies.
Carl Philipp Emanuel Bach (1714-1788) Quartet in a minor for Flute or Violin, Viola, Cello & Piano	Composed in the year of his death, this work provides and excellent example of this once famous composer's late style.
Johann Sebastian Bach (1685-1750)) 15 Terzetti for Violin, Viola, & Cello, BWV. 787-801	Probably the best arrangement ever made of Bach's Three Part Inventions by Richard Hofmann, prominent composer & teacher.
Johann Sebastian Bach (1685-1750)) Goldberg Variations for Violin, Viola, & Cello, BWV. 988	There have been other arrangements but ours is based on the authoritative Bach Society Edition by B & H.
Edward Bache (1833-1858) Piano Trio in d minor, Op.25	This wonderful work is like having another Mendelssohn Piano Trio on your stand to play.
Heinrich Baermann (1784-1847) Clarinet Quintet No.3 in E flat Major, Op.23	A tuneful work with a very lovely Adagio once thought to have been composed by Wagner. His playing inspired Mendlessohn & Weber.
Pierre Baillot (1771-1842) String Quartet No.1 in b minor, Op.34 No.1	A melodious work which is not hard to play by one France's great violinists. Historically important.
Mily Balakirev (1837-1910) Octet for Piano, Winds and Strings	An early work (1850's) inspired by Glinka from the founder of the Russian Nationalist School of Composition
Michael Balfe (1808-1870)) Piano Trio in A Major (1867)	One of the leading opera composers of the Victorian era writes a trio full of exciting & catch tunes with operatic touches
Granville Bantock (1868-1946)) Hamabdil A Hebrew Melody for Cello & Piano (1919)	Beautifully written for the cello, highly evocative, a work sure to make a deep impression
Granville Bantock (1868-1946)) Sonata for Viola & Piano in F Major (1919)	A big bold post Romantic work. Lyrical and dramatic belongs in the repertoire and the recital hall
Joseph Barat (1882-1963) Fantasie Romantique for Clarinet & Piano (1900)	This lovely work combines elements of French impressionist with the influence of Saint Saens et al.
Otto Barblan (1882-1963) String Quartet in D Major, Op.19	This appealing string quartet uses Swiss folk music set in a late Romantic idiom. A good work for both concert and home.
Woldemar Bargiel (1828-1897) Violin Sonata in f minor, Op.10	A recital hall must. Passion & melodrama, occasioned by the nervous breakdown of his mentor & friend Schumann.
Woldemar Bargiel (1828-1897) Piano Trio No.1 in F Major, Op.6	A dramatic and powerful mid-Romantic Schumannesque piano trio filled with fresh ideas and wonderful melodies.
Woldemar Bargiel (1828-1897) Piano Trio No.2 in E flat Major, Op.20	Post-Schumann. Fine part-writing, appealing melodies, this is an important mid 19th cent Romantic work.
Woldemar Bargiel (1828-1897) Piano Trio No.3 in B flat Major, Op.37	Finely crafted. Excellent part-writing, beautiful melodies, first rate all the way. Suitable for amateurs & pros alike
Woldemar Bargiel (1828-1897) String Quartet No.3 in a minor, Op.15b	A fine mid Romantic era work showing the influence of Mendelssohn and Schumann. A good work, fun to play with no difficulties.
Woldemar Bargiel (1828-1897) String Quartet No.4 in d minor, Op.47	40 years after No.3 Bargiel has left the mid Romantics behind. Interesting work shows the influence of late Beethoven
Woldemar Bargiel (1828-1897) String Octet in c minor, Op.15a	Reminiscent of late Mendelssohn and Schumann. Fine part-writing, effective melodies. A first class work.
Adolf Barjansky (1850-1900) String Quartet No.1 in F Major, Op.6	A work full of lovely melodies, quite effect and fun to play. No technical difficulties, good for home or concert.
Adolf Barjansky (1850-1900) String Quartet No.2 , Op.8 (1894)	A first rate quartet, powerful and attractive with appealing melodies and good part writing for all. Good choice for pros or amateurs
Christian Barnekow (1837-1913) Piano Trio in f sharp minor, Op.1	Here is a first rate work by an unknown composer that would be in the repertoire had someone famous penned it
John Francis Barnett (1837-1916) String Quartet in d minor, Op.8	Mendelssohn and Schumann through the prism of mid Victorian English taste. A convivial work of no technical difficulty.
Bela Bartok (1881-1945) Piano Quintet in C Major (1903/rev. 1920)	An early work combining elements of Brahms, Richard Strauss & French Impressionists. A very appealing work.
Vasily Barvinsky (1888-1963) Elegy for String Quartet in g minor (1912)	Meant as a tribute and memorial to the Mikola Lysenko founder of Ukrainian music who died that year.
Vasily Barvinsky (1888-1963) String Quartet in g minor (1941)	First rate work by a little known Ukrainian composer which would do well in concert & also for amateurs
Vasily Barvinsky (1888-1963) Piano Trio in a minor (1910)	A late Romantic era masterwork which would have entered the repertoire had he been Russian or German.
Vasily Barvinsky (1888-1963) Piano Quintet in g minor (1912)	Another late Romantic era masterwork which makes a great choice for the concert hall as well as amateurs
Vasily Barvinsky (1888-1963) Variations for Piano, String Quartet and Bass	An important Ukrainian work full of folk melodies. Very effective in performance. Excellent concert choice
Luigi Bassi (1833-1871) Fantasia on Bellini's I Puritani for Clarinet & Piano	One Bassi's most popular and beloved opera fantasies as it makes a very fine showcase for clarinet players
Luigi Bassi (1833-1871) Fantasia on Verdi's Rigoletto for Clarinet & Piano	This work, one of the most effective of its type is a showcase par excellence for any fine clarinetist
William Bastard (1880-194?) Piano Trio in g minor, Op.3	An unknown work by an unknown composer. But, what a fine work! Great melodies & part-writing
Waldemar von Baussnern (1866-19317) Serenade for Clarinet, Violin & Piano (1905)	Excellent part-writing & brilliant use of tone color & timber make this a valuable addition to the repertoire.
Waldemar von Baussnern (1866-19317) Quintet in F Major for Piano, Violin, Cello, Clarinet & Horn	Only one of four such works for this instrumentation that we know of. The writing is highly original and the tone color is stands out.
Arnold Bax (1883-1953) Sonata for Viola and Piano (1922)	A dark, post-impressionist work, alternately filled with mystery, agitation, drama, and serenity & tailored to the viola
Arnold Bax (1883-1953) Trio in One Movement for Violin, Viola & Piano, Op.4	A magnificent work, one of the best for this combination, a real tour d'force. Superbly written for all three instruments
Arnold Bax (1883-1953) Elegiac Trio for Flute, Viola & Harp or Piano (1916)	Lovely impressionist work for this rarely served trio. Dreamy & reflective but highly evocative. A really fine work.
Arnold Bax (1883-1953) String Quartet No.1 in G Major (1918)	Upbeat and filled with the melodies of the English countryside with good part writing for all voices.
Arnold Bax (1883-1953) Piano Quintet in g minor (1915)	A massive work, overflowing with original ideas and rich material. Excellent choice for concert performance.
Antonio Bazzini (1818-1897) String Quartet No.1 in C Major	This prize winning quartet combines the beauty of Italian lyricism with the structure of German romanticism.
Antonio Bazzini (1818-1897) String Quartet No.2 in d minor, Op.75	Perhaps the most dramatic of Bazzini's string quartets, yet still strongly lyrical.
Antonio Bazzini (1818-1897) String Quartet No.3 in E flat Major, Op.76	A fine romantic work combining Italian lyricism with the the influence of Mendelssohn & Schumann.
Antonio Bazzini (1818-1897) String Quartet No.4 in G Major, Op.79	A warm and pleasant work full of Italian melody and fine writing for all
Antonio Bazzini (1818-1897) String Quartet No.5 in c minor, Op.80	Bazzini takes the Italian instrumental idiom and creates a first class work in the great European tradition.
Antonio Bazzini (1818-1897) String Quintet (2 Cellos) in A Major (1864)	First Place Prize Winner of the 1865 chamber music competition held by the Milan Quartet Society. Godd for amateurs and concert.
Amy (Mrs. H.H.A.) Beach (1867-1944) Romance for Violin & Piano, Op.23	Dedicated to the famous American violinist Maud Powell, this lovely work makes an excellent shorter recital piece.
Amy (Mrs. H.H.A.) Beach (1867-1944) Violin Sonata in a minor, Op.34	Had this not been composed by an American woman but by a European man, this sonata would have entered the standard repertoire.
Amy (Mrs. H.H.A.) Beach (1867-1944) Piano Quintet in f sharp minor, Op.67	One of the best and most important piano quintets of the 20th century--and by an American woman no less!
Alexander S. Beaumont (1848-1913) String Quintet in a minor (1889)	Very well-written with some English folk melodies. Shows the influence of Mendelssohn. An attractive work!
Ignaz von Beecke (1733-1803) String Quartet in G Major, M.9	One of the better quartets from the early classical era (1750's) by a friend of Haydn, Mozart & Dittersdorf
Ludwig van Beethoven (1770-1827) Praludium & Fugue for 2 Violins & Cello in e minor, H.29	Composed while he was studying with Albrechtsberger, he was proud of the work and planned to publish it.
Ludwig van Beethoven (1770-1827) Trio for 2 Violins & Viola in C Major, Op.87 arranged by Ferdinand Ries	Originally a trio for 2 Oboes & English Horn, the publisher demanded it be arranged to increase sales. B approved.
Ludwig van Beethoven (1770-1827) Symphony No.2 arranged by Beethoven for Piano Trio	Who would have the temerity to do this. Answer-Beethoven, And a truly magnificent arrangement it is.
Ludwig van Beethoven (1770-1827) Piano Sonata Op.2 No.1 arranged by Alexander Brand for String Quartet	Beethoven fervently someone would arrange his piano sonatas for quartet. Brand a famous arranger did.
Ludwig van Beethoven (1770-1827) Piano Sonata Op.2 No.3 arranged by Auguste Blondeau for String Quartet	The French composer Blondeau also tried his hand and made a very effective arrangement as well.
Ludwig van Beethoven (1770-1827) Piano Concerto No.1 arranged by Vinzenz Lachner for Piano & String Quintet	This arrangement, uniformly acclaimed, was the only way most people got to hear this work before records.
Ludwig van Beethoven (1770-1827) Piano Concerto No.3 arranged by Vinzenz Lachner for Piano & String Quintet	A stunning arrangement by one of the greatest arrangers of all time. Beethoven would surely have approved.
Ludwig van Beethoven (1770-1827) Piano Concerto No.5 arranged by Vinzenz Lachner for Piano & String Quintet	This arrangement made by the man recognized as the best arranger of such works. Very effective & fun to play
Ludwig van Beethoven (1770-1827) Triple Concerto arranged by Carl Reinecke for Piano Trio	Reinecke was widely considered the best arranger of large scale works for chamber music ensembles.
Ludwig van Beethoven (1770-1827) Piano Quartet No.1 in E flat Major, WoO. No.1	Almost no knows he wrote 3 delightful, Mozartean works which deserve to be heard in concert. Also for amateurs
Ludwig van Beethoven (1770-1827) Piano Quartet No.3 in C Major, WoO.36 No.3	The third of a set of three composed in 1785 when he was only 14. Tuneful and not difficult to play.
Ludwig van Beethoven (1770-1827) Symphony No.3 Eroica arranged by Ferdinand Ries for Piano Quartet	Ries, most famous student of Beethoven, virtuoso pianist, 1st rate composer wrote a very fine arrangement.
Ludwig van Beethoven (1770-1827) String Quintet (2 Cellos) in A Major, Op.47b of Kreuzer Sonata	Beethoven's arrangement of his Kreutzer Violin Sonata. Turns out the quintet version is more powerful & dramatic & a finer work
Ludwig van Beethoven (1770-1827) String Quintet (2 Violas) of his Symphony No.7	The famous arrangement made by the Viennese firm of Steiner for which Beethoven contracted.
Ludwig van Beethoven (1770-1827) String Sextet arrangement of the Pastoral Symphony	Many tried but the only successful arrangement of this work is that of Beethoven's contemporary Michael Gotthard Fischer (1773-1829)
Gyula Beliczay (1835-1893)) String Quartet No.1 in g minor, Op.21	A pleasing mid-late Romantic era work which presents no technical difficulties and should be of particular interest to amateur quarteters
Gyula Beliczay (1835-1893)) Serenade in d minor for String Nonet, Op.36	Every bit as good as the better known serenades by Robert Fuchs. No nonet ensemble should miss the chance to play this fine work
Jan Levoslav Bella (1843-1936) Sonata No.1 for 3 Violins in G Major, Op.4	A fine work with excellent part writing for all in which Bella by use of the Concertante Treble technique achieves surprising sonorities
Jan Levoslav Bella (1843-1936) Sonata No.2 for 3 Violins in E flat Major, Op.13	One of the finest works for this combination. Bella's artistry is such that you hardly miss the deeper sonority provided by a viola or cello
Jan Levoslav Bella (1843-1936) String Quartet No.1 in g minor	Dating from 1866 this quartet predates those of Brahms and combines elements of the New German School with Schumannesque classicism.
Jan Levoslav Bella (1843-1936) String Quartet No.2 in e minor	Nick-named "The Hungarian" this is a highly original-sounding masterpiece, withadvanced tonalities for its time (1871) & exotic touches.
Jan Levoslav Bella (1843-1936) String Quartet No.3 in c minor	In the repertoire of the famous Bohemian Quartet, this work deserves to once again be in the repertoire. Good to play and to hear
Jan Levoslav Bella (1843-1936) String Quartet No.4 in B flat Major (1887)	Though from the late Romantic period, it has its own special sound and rhythms, giving it a fresh quality. First rate and convincing.
Jan Levoslav Bella (1843-1936) String Quintet in d minor (1868)	A first rate work which makes a fine addition to the repertoire. Echoes of Schubert & Bruckner but also original & fresh.
Franz Bendel (1832-1874) Souvenir d'Hongrie for Piano Trio (1873)	One of Liszt's best students composes a wonderful encore popularizing Hungarian melodies. Very effective
Karel Bendl (1838-1897) String Quartet in F Major, Op.119	This quartet, by an important but lesser known Czech composer, is as fine as the best Smetana or Dvorak.
Josef Benes (1795-1873) String Quartet No.2 in F Major, Op.30	A beautiful & appealing work, not at all hard to play, a typical example of the chamber music in vogue during the late Biedermeier era.
Gustaf Bengtsson (1795-1873) String Quintet in a minor (1907)	An interesting work by a young Swedish composer written in the late Romantic style.
William Sterndale Bennett (1816-1875) "Sonata Duo" for Cello & Piano in A Major, Op.32	It might easily pass for Mendelssohn's "third" cello sonata. Lovely melodies with fine part writing.
William Sterndale Bennett (1816-1875) Chamber Trio in A Maj for Violin, Cello & Piano, Op.26	A charming and intimate work, pleasing to hear with no technical difficulties.
William Sterndale Bennett (1816-1875) Sextet for Piano, String Qt & Bass (or 2Vc), Op.8	An excellent companion piece for the Mendelssohn Piano Sextet. Full of lovely and appealing melody.
Jørgen Bentzon (1897-1951) Divertimento in One Movement for String Trio, Op.2	Showing the influence of his teacher Carl Nielsen, an interesting tonal work at times ascerbic and astringent..
Hermann Berens (1826-1880) Piano Trio No.3 in F Major, Op.95 No.1	The first of a very popular set of three trios often performed throughout the last part of the 19th century.
Hermann Berens (1826-1880) Piano Trio No.4 in g minor, Op.95 No.2	A fresh, very effective work with fine part-writing and appealing melodies. Good choice for performance, playes well.
Hermann Berens (1826-1880) String Trio No.1 in D Major, Op.85 No.1	First of 3 Schumannesque-Mendelssohnian trios. Important addition from the little served mid-romantic period.
Hermann Berens (1826-1880) String Trio No.2 in c minor, Op.85 No.2	Good part writing, exciting, appealing melodies. Valuable mid romantic period addition to repertoire.
Hermann Berens (1826-1880) String Trio No.3 in F Major, Op.85 No.3	A Mid-Romantic masterwork for string trio. Exciting, great melodies and part-writing. A highly effective work.
Hermann Berens (1826-1880) String Quartet in e minor, Op.78	Using Mendelssohn and Schumann as his models, he writes with his own voice. Full of drama & good melodies.
Wilhelm Berger (1861-1911) Violin Sonata No.3 in g minor, Op.70	"Seldom equaled and never bettered" as one well-known critic put it. An unqualified masterwork from the Romantic era.
Wilhelm Berger (1861-1911) Trio for Clarinet, Cello & Piano in g minor, Op.94	One of the finest works for this combination ever composed. A late-romantic masterpiece
Wilhelm Berger (1861-1911) Piano Quintet in f minor, Op.95	A massive and important post-Brahmsian work hailed as a masterpiece by The Chamber Music Journal
Wilhelm Berger (1861-1911) String Trio in g minor, Op.69	Altmann in his Handbook for String Quartet Players says it is an unqualified late romantic masterpiece.
Wilhelm Berger (1861-1911) String Quintet in e minor, Op.75	Winner of the Beethoven Society Prize, a very valuable addition to the cello quintet repertoire.
Rudolph Bergh (1859-1924) String Quartet in d minor, Op.10	A powerful and original sounding work written in a post Brahmsian tonality with early modern tendancies.
Charles de Beriot (1802-1870) Piano Trio No.1 in D Major, Op.4	An appealing lighter work based on themes from Carl Maria von Weber's opera Der Freischȕtz.
Charles de Beriot (1802-1870) Piano Trio No.2 in D Major, Op.58	A mid romantic era work with appealing melodies with fine part-writing in true chamber music style
Lennox Berkeley (1903-1989) String Trio, Op.19 (1943)	A compelling first rate work in the neo-classical style. Belongs in the concert hall and strong amateurs also
Henri Bertini (1798-1876) Piano Trio in A Major, Op.43	Elegant and tasteful writing with beautiful melodies showing the influence of Clementi, Mozart & Hummel.
Henri Bertini (1798-1876) Sextet in E Major for String Qt, Bass & Piano, Op.90	Of its type and from its era (early mid Romantic), if not the best, certainly one of them Wonderful melodies & good part writing.
Franz Berwald (1796-1868) String Quartet No.1 in g minor	Well ahead of its time. Highly original, certainly nothing like it coming out of Scandinavia in 1818 let alone several decades later.
Franz Berwald (1796-1868) String Quartet No.3 in E flat Major	An original and fresh-sounding. Combines stormy turbulence with Schumannesque romanticism.
Franz Berwald (1796-1868) Quartet for Clarinet, Basson, Horn & Piano in E flat Major	One of the few works written for this combination from the emerging Romantic era (1819) with many original touches.
Franz Berwald (1796-1868) Piano Quintet No.1 in c minor, Op.5	Liszt praised the music as highly original, but it took over a century to appreciate what Berwald was doing.
Franz Berwald (1796-1868) Piano Quintet No.2 in A Major, Op.6	A composer who in many ways was ahead of his time. Like the first piano quintet, a very original and interesting work.
Franz Berwald (1796-1828) Septet for Winds & Strings in B flat Major	A first class work for this little served combination. Good part-writing for all. Tuneful and fun to play.
Antoine Bessems (1806-1868) String Trio in E flat Major Op.90	From the early French Romantic era. Appealing melodies with good part-writing for all.
Adolf Binder (1845=1901) String Trio in C Major Op.1	Excellent mid-romantic era trio. Really fine part-writing, no technical difficulties and attractive melodic material.
Kaspar Jakob Bischoff (1823-1893) String Trio in c minor Op.5	This trio was awarded first prize in competition where the judges were 3 famous composers: Franz Lachner, Louis Spohr & Josef Strauss.
Georges Bizet (1838-1875) Petit mari, petite femme for String Octet, Op.22 No.11	From Jeux d'enfants and arranged by Bizet himself for 8 strings, when played by an octet & not an orchestra retains its lovely charm.
Adolphe Blanc (1828--1885) String Trio No.1 in G Major, Op.41	Attractive melodies this trio makes no great technical demands and is an effective performance work.
Adolphe Blanc (1828--1885) String Trio No.2 in A Major "Carmen" Op.41	Appealing melodies, good part writing, with a Spanish Rondo finale which calls themes from Bizet's Opera Carmen
Adolphe Blanc (1828--1885) String Trio No.3 in f minor, Op.48	Appealing melodies, good part writing, with a Spanish Rondo finale which calls themes from Bizet's Opera Carmen
Adolphe Blanc (1828--1885) String Quartet No.3 in F Major, Op.38	Like his trios, this is an effective work, not at all hard to play and a good choice for performance.
Adolphe Blanc (1828--1885) String Quartet No.4 in E Major, Op.53	Elegant and charming, not hard to play with appealing melodies, good choice for amateur ensembles
Adolphe Blanc (1828--1885) String Quintet No.1 (2 Vla) in B flat Major, Op.15	A work full of lovely melodies, in the style of the Vienna Classics and with no technical difficulties. Fun to play.
Adolphe Blanc (1828--1885) String Quintet No.2 (2 Vla) in C Major, Op.19	Fetching melodies, good part-writing, an example of why he won the prestigious Chartier Prize for chamber music.
Adolphe Blanc (1828--1885) String Quintet No.3 (Vc & Kb) in D Major, Op.21	Beautiful melodies, solos for all. An effective work which can be played by cello & bass or 2 cellos.
Adolphe Blanc (1828--1885) String Quintet No.4 (Vc & Kb) in E flat Major, Op.22	Written right after the third quintet, it has all of the same qualities and is for the same combination of ensembles
Adolphe Blanc (1828--1885) String Quintet No.5 (2 Vla) in D Major, Op.29	Here, Blanc returns to the standard arrangement for 2 violas. Like the others, tuneful and fun to play.
Adolphe Blanc (1828--1885) String Quintet No.7 (Vc & Kb) in E Major, Op.50	An arrangement of his famous Septet & the job he did is so fine that this quintet version is every bit as good as the septet. A winner!
Adolphe Blanc (1828-1885) Trio for Clarinet (Violin), Cello & Piano in B flat, Op.23	Early mid romantic work which is elegant and appealing. A pleasure to play and to hear.
Adolphe Blanc (1828-1885) Romance for Oboe, Horn and Piano, Op.43b	A marvelous short work by one France's best chamber music composers. Excellent choice for concert or home..
Adolphe Blanc (1828-1885) Quintet for Flute, Clarinet, Horn, Bassoon & Piano in E flat Major, Op.37	Superbly written, Blanc's skill at writing chamber music is highlighted by how the piano is integrated into the work
Adolphe Blanc (1828-1885) Septet for Winds & Strings in E Major, Op.40	For the same combination as Beethoven's Septet and every bit as good. A beautiful & convincing masterpiece.
Adolphe Blanc (1828-1885) Septet for Piano, Viola, Cello, Bass, Flute, Oboe & Horn in E flat Major, Op.54	A fine work for this very rarely served combination. Good enough for concert performance & home music makers.
Ernest Bloch (1880-1959) Sonata No.1 for Violin & Piano (1921)	Powerful & dramatic. A magnificent work combining elements of late German Romanticism with French impressionism.
Ernest Bloch (1880-1959) Night for String Quartet (1923)	A highly evocative nocturnal work full of the gloom and sounds of the night. Great encore or short work.
Ernest Bloch (1880-1959) In the Mountains for String Quartet (1924)	Bloch shows that he has left late German Romanticism behind and has written an interesting tone poem in post French impressionist style.
Ernest Bloch (1880-1959) Paysages (landscapes) for String Quartet (1925)	A portral of three different landscapes: the Artic, the Alps & the South Sea Islands. Good for concert & home.
Ernest Bloch (1880-1959) Three Nocturnes for Piano Trio, Op.56	Exotic effects & gossimer melodies with excellent part-writing. An excellent concert choice but also amateurs.
Ernest Bloch (1880-1959) Piano Quintet No.1 (1923)	No French nor German influence here in this very original and powerful work which deserves concert performance.
Auguste Louis Blondeau (1786-1863) String Quartet in a minor, Op.11 No.2	A first class quartet from the French early Romantic period with many original touches.
Auguste Louis Blondeau (1786-1863) String Quartet in F Major, Op.14 No.3	Historically important fine quartet from the early French Romantic era. Good for concert and home quartet players
Felix Blumenfeld (1863-1931) String Quartet in F Major, Op.26	One of the very best late Russian Romantic Nationalist School Quartets. A beautiful work with fine part writing.
Jacques Blumenthal (1829-1908) Piano Trio in f minor, Op.26	Critics called this first rate work 'Mendelssohn's 3rd'. With beautiful melodies & good part-writing excellent for concert
Sandro Blumenthal (1874-1919) Piano Quintet No.1 in D Major, Op.2	A lovely work with fine part-writing for all. A fresh and appealing choice for the concert hall but also a pick for amateurs as well
Theodor Blumer (1881-1964) Quintet for Flute, Oboe, Clarinet, Horn & Bassoon, Op.52	An attractive modern work combining elements of late romanticism with neo-classicism.
Theodor Blumer (1881-1964) Tanz-Suite for Flute, Oboe, Clarinet, Horn & Bassoon, Op.53	Six contrasting different dances from the Baroque to the 1920s. Good for concert and amateurs as well.
Theodor Blumer (1881-1964) Sextet for Piano & Wind Quintet, Op.45	Intended for composer & the famous Dresden Wind Quintet. Charming work, each instruments has a chance to shine.
Luigi Boccherini (1743-1805) Cello Sonata No.1 in A Major, G.13	The first of the most famous set of sonatas Boccherini ever published, dating from 1771. A fine rectial choice.
Luigi Boccherini (1743-1805) Cello Sonata No.2 in C Major, G.6	Each of these sonatas though having certain similarities has its own character and moods.
Luigi Boccherini (1743-1805) Cello Sonata No.3 in G Major, G.5	The only one of the set to have an Allegro alla militaire which is quite striking and makes a strong impression.
Luigi Boccherini (1743-1805) Cello Sonata No.4 in E flat Major, G.10	As in the preceding sonata, here we find strong contrasts in mood, created not only by melody but by his use of rhythms.
Luigi Boccherini (1743-1805) Cello Sonata No.5 in F Major, G.1	Actually, according to Boccherini's cataloger, the first sonta he composed. Like the others, a suitable recital work.
Luigi Boccherini (1743-1805) Cello Sonata No.6 in A Major, G.4	In the middle movement, we find a pieces clearly meant to showcase Boccherini's extraordinary technical abilities.
Luigi Boccherini (1743-1805) Six Piano Sonatas, Op.12, G.143-148	In the middle movement, we find a pieces clearly meant to showcase Boccherini's extraordinary technical abilities.
Luigi Boccherini (1743-1805) Two String Trios (2 Vlns & Vc) , G.77 & 78	His only surviving set of piano trios make an excellent concert choice where a shorter program work is required
Luigi Boccherini (1743-1805) Two String Trios (2 Vlns & Vc) , G.79 & 80	These are the middle trios from first set of Boccherini's string trios. Their style is typically more Baroque than the 2 above
Luigi Boccherini (1743-1805) Two String Trios (2 Vlns & Vc) , G.81 & 82	The final two trios from first set of Boccherini's string trios. They combine the Baroque and emerging classic styles.
Luigi Boccherini (1743-1805) Two String Trios (2 Vlns & Vc) , G.89 & 90	The first 2 of Boccherini's third set of string trios dating from 1769 which are now leaning more toward new emerging classical style.
Luigi Boccherini (1743-1805) Two String Trios (2 Vlns & Vc) , G.91 & 92	The 3rd and 4th of Boccherini's third set of string trios dating from 1769 which are now leaning more toward new emerging classical style.
Luigi Boccherini (1743-1805) Two String Trios (2 Vlns & Vc) , G.93 & 94	The final 2 of Boccherini's third set of string trios dating from 1769. No.5 is the only one of the set which is in the minor.
Luigi Boccherini (1743-1805) 6 Trios (2 Vlns & Vc) Op.6 Nos.1-6, G.89-94	Among his earliest, they are intimate, lovely chamber works well suited to amateur players looking for concert works.
Luigi Boccherini (1743-1805) String Trios (Vln, Vla & Vc) Nos. 1 & 2, G.95 & 96	Two of the best trios from the early classical era. By turns elegant and exciting, the cello has an important role
Luigi Boccherini (1743-1805) String Trios (Vln, Vla & Vc) Nos. 3 & 4, G.97 & 98	Most of Boccherini's trios were for 2 Vlns & Vc. These are among the few he wrote for standard string trio.
Luigi Boccherini (1743-1805) String Trios (Vln, Vla & Vc) Nos. 5 & 6, G.99 & 100	From a set which is one of the best for violin, viola and cello. The part writing gives each player extensive solos.
Luigi Boccherini (1743-1805) 6 Trios (Vln, Vla & Vc) Op.47 Nos.1-6, G.107-112	More intimate and on a smaller scale than G.95-100 trios. Elegant and graceful, full of charm.
Luigi Boccherini (1743-1805) String Trio in f minor (2 Vlns & Vc), G.101	Every 2 Violin & Cello ensemble looking for a first rate work for this combination should consider this one.
Luigi Boccherini (1743-1805) String Trio in G Major (2 Vlns & Vc), G.102	From the same set as the above and just as good. Great part writing with true Boccherini melodies.
Luigi Boccherini (1743-1805) String Trio in Eb Major (2 Vlns & Vc), G.103	Another fine work from this set, well worth having for ensembles seeking trios for this combination.
Luigi Boccherini (1743-1805) String Trio in D Major (2 Vlns & Vc) "El Fandango"	Perhaps the best trio Boccherini wrote for this combination complete with an exciting Spanish fandango.
Luigi Boccherini (1743-1805) String Trio in C Major (2 Vlns & Vc), G.105	Another fine work from this famous set of trios with the final movement having a set of variations which features each instrument.
Luigi Boccherini (1743-1805) String Trio in E Major (2 Vlns & Vc), G.106	An excellent work from an historically important set of trios in which each instrument is given generous solos to play.
Luigi Boccherini (1743-1805) String Quartet in c minor, G.159 (Op.2 No.1)	Boccherini's first string quartet. Hence of historical importantce but good part-writing for all including the cello.
Luigi Boccherini (1743-1805) String Quartet in C Major, G.164 (Op.2 No.6)	The Sixth of Boccherini's first set of quartets from his Italian days. Again the cello is given solos and a chance to lead.
Luigi Boccherini (1743-1805) String Quartet in D Major, G.177 (Op.15 No.1)	One of Boccherini's early works showing the influence of his time spent in Paris. Well suited to amateur groups.
Luigi Boccherini (1743-1805) 5 Famous Dances for String Quintet (2Vc) from G.269, 273, 307, 316 & 374	Includes the Balla Tedesco & Minuetto Sequidilla. Easy to play. They make great encores or a program choice
Luigi Boccherini (1743-1805) String Quintet (2Vc) in E Major, Op.11 No.5 "Ladykillers", G.275	The Quintet takes its name from its famous "Celebrated" Minuet used in the popular British film, The Ladykillers
Luigi Boccherini (1743-1805) String Quintet (2Vc) in D Maj, Op.11 No.6 "Bird Sanctuary", G.276	He succeeds surprising well in creating the sounds of birds, shepherds pipes and hunters horns. One of his most famous.
Luigi Boccherini (1743-1805) String Quintet (2Vc) in d minor, Op.13 No.4, G.280	One of the few quintets in the minor, the finale features a fine baroque style extended fugue.
Luigi Boccherini (1743-1805) String Quintet (2Vc) in D Major, Op.18 No.2, G.284	Was nicknamed the 'Trio Concertante' quintet as the trio section of the minuet is only for the viola and the 2 cellos
Luigi Boccherini (1743-1805) String Quintet No.60 (2Vc) "La Ritirata di Madrid"G.324	Actual title La Musica Notturna delle Strada di Madrid recreates the sounds and music on the streets of Madrid
Luigi Boccherini (1743-1805) String Quintet (2Vc, 2Vla or Vc & Kb) in B flat Major, G.337	The famous earyly 19th century saying, "If God wished listen to music, he would choose Boccherini. He might choose this elegant quintet.
Luigi Boccherini (1743-1805) String Quintet (2Vc or Vc & Kb) in F Major, G.338	The 2nd of this well-known set of quintets, well-known because it calls for a bass rather than a second cello
Luigi Boccherini (1743-1805) String Quintet (2Vc or 2Vla) in D Major, G.339	The last of this well-known set. Outer movemetns are full of energy, with a lovely Pastorale in the middle
Luigi Boccherini (1743-1805) String Quintet (2Vc or 2Vla) in D Major "Del Fandango", G.341	The quintet became famous for its fandango movement imitating the dance of the Spanish gypsies.
Luigi Boccherini (1743-1805) String Quintet (2Vc or 2Vla) in c minor, G.355	This has all of the best--an emotive Boccherini Adagio & stormy quitar like allegros. A winner in concert for sure.
Luigi Boccherini (1743-1805) String Quintet (2Vc or 2Vla) in c minor, G.377	It has no nickname as some of the others but it is every bit as good, gripping and exciting to play.
Luigi Boccherini (1743-1805) "La Ritirata di Madrid" Quintet for Guitar & String quartet G.453	Though not the original version (the one above is) it is this version which became the best known and most famous.
Luigi Boccherini (1743-1805) Piano Quintet Variations on La Ritirata di Madrid	His most famous piano quintet because he included variations on the famous La Ritirada di Madrid march.
Luigi Boccherini (1743-1805) "Del Fandango" Quintet for Guitar & String quartet G.448	This was the result of a commission from a rich amateur guitarist who wanted a version for guitar & strings.
Luigi Boccherini (1743-1805) String Sextet No.1 in E flat Major, Op.23 No.1, G.454	Quite possibly the first string sextet ever composed. Excellent treatment of all of the voices, lovely melodies.
Luigi Boccherini (1743-1805) String Sextet No.2 in B flat Major, Op.23 No.2, G.455	One of the earliest string sextets ever composed. A must for those looking for a sextet from the early classcial era.
Luigi Boccherini (1743-1805) String Sextet No.3 in E Major, Op.23 No.3, G.456	Again, one of the earlies string sextets ever written. Historically important, with good writing for all voices
Léon Boëllmann (1862-1897) Suite for Cello and Piano, Op.6	Comprising four appealing movements which can be played as a suite or each separately as a short work or encore.
Léon Boëllmann (1862-1897) Variations Symphoniques for Cello and Piano, Op.23	Unjustly neglected masterpiece once a staple of concert & recital halls. A fresh option makes a lasting impression.
Léon Boëllmann (1862-1897) Two Pieces for Cello and Piano, Op.31	Short, highly atmospheric works which can serve as short recital pieces or encores.
Léon Boëllmann (1862-1897) Cello Sonata in a minor, Op.40	An important late French Romantic work. Original and atmosheric, it makes a fine choice for the recital hall.
Léon Boëllmann (1862-1897) Piano Trio in G Major, Op.19	A Prize-Winning work of high originality and great beauty. An unjustly forgotten masterwork of the first order.
Léon Boëllmann (1862-1897) Piano Quartet in f minor, Op.10	One of the masterpieces of the French chamber literature. Atmospheric, mysterious, then sparkling and dynamic.
Alexandre Boëly (1785-1858) String Trio No.1 in D Major, Op.5 No.1	Dating from 1808, it takes Beethoven's Op.9 trios as its model. A fine late classical-early romantic work.
Alexandre Boëly (1785-1858) String Trio No.2 in C Major, Op.5 No.2	Astounding proof that Boëly was one of the few men in France at that time familiar with Beethoven's Op.18 quartets
Alexandre Boëly (1785-1858) String Trio No.3 in g minor, Op.5 No.3	Boëly takes Beethoven's Op.9 c minor trio as his inspiration and composes a work along the same lines.
Alexandre Boëly (1785-1858) String Quartet No.1 in a minor, Op.27	Composed in the mid 1820's Boëly's quartets mix elements of the late classical with the early romantic. A fine work.
Alexandre Boëly (1785-1858) String Quartet No.3 in G Major, Op.29	Boëly takes early Beethoven as his model, something vitually unheard of in the France of the 1820's. A good work.
Carl Bohm (1844-1920) Piano Trio in D Major, Op.330 No.1	This is an attractive, well-written work presenting no difficulties aimed at amateurs looking for a concert piece.
Carl Bohm (1844-1920) "Trout" Piano Trio in G Major, Op.330 No.2	A light, charming piano trio which quotes the theme from Schubert's famous quintet.
Carl Bohm (1844-1920) Six Light Piano Trios, Op.352	Easy to play, appealing melodies, audience pleasers, perfect recital works for amateurs & useful for pros as well
Emil Bohnke (1888-1928) Piano Trio in b flat minor, Op.5	Pushing the limits of traditional tonality, a highly original, late Romantic work of the very first order.
René de Boisdeffre (1838-1906) Three Pieces for Cello and Piano, Op.15	Any of these three pieces--Prelude, Elegy or Serenade make for a good short recital piece, together they can take the place of a sonata.
René de Boisdeffre (1838-1906) Elevation for Cello and Piano, Op.48	A lovely, short romance, beautifly written and deeply felt. An effective recital choice.
René de Boisdeffre (1838-1906) Trois Pieces Pittoresques for Cello and Piano, Op.93	The composer paints musical pictures of a landscape, at the beach and on the lake. Well-written and highly evocative.
René de Boisdeffre (1838-1906) Sonata for Cello and Piano in F Major, Op.63	A major work in the late Romantic style. Boisdeffre eschewed impressionism as did Saint Saens. Perfect for recital.
René de Boisdeffre (1838-1906) Serenade for Flute, Violin & Piano, Op.85	A calm, dreamy notturno-like work expertly exploiting the tonal qualities of each instrument
René de Boisdeffre (1838-1906) Piano Trio No.1 in E flat Major, Op.10	A superb work from the late French Romantic era which makes an excellent concert hall choice and good for home too.
René de Boisdeffre (1838-1906) Piano Trio No.2 in g minor, Op.32	Winner of the 1st Prize held by the Society of French Composers, it combines elements of the Bachian Baroque with French Romaticism.
René de Boisdeffre (1838-1906) Trois Pieces en Quatuor for Piano Quartet, Op.64	Three shorter lovely pieces which are perfect where a shorter program work is desired, each good for encores.
René de Boisdeffre (1838-1906) Sextet for Piano, String Quartet and Bass, Op.43	At time powerful, at times lyrical, at times dramatic, at times orchestral. This work is all of these things.
Joseph Bologne Chevalier de St Georges (1745-1799) String Quartet No.4 in c minor, Op.1 No.4	Inspired by some of Haydn's very early string quartets, this is among one of the earliest French string quartets
Franz Bölsche (1844-1920) String Quartet No.2 in c minor, Op.27	A fine late Romantic work with good part writing and no real technical difficulties. A good quartet for concert or homel
Mel Bonis (1858-1937) Suite for Flute, Violin & Piano, Op.59	A thoroughly charming and enchanting work. Her music is the link between the French romantics & impressionists
Mel Bonis (1858-1937) Suite Orientale for Piano Trio, Op.48	Here the world of the Near East and Arab North Africa are evoked through the language of French impressionism.
Mel Bonis (1858-1937) "Soir-Matin" for Piano Trio, Op.76	An evocative impressionist two movement work which creates the calm of evening and the restless of morning
Mel Bonis (1858-1937) Piano Quartet No.1 in B flat Major, Op.69	Highly praised by Saint Saens, this lovely work is sure to please. Gentle touches of French impressionism.
Mel Bonis (1858-1937) Piano Quartet No.2 in D Major, Op.124	She called it her musical testament, with a mix of post and traditional impressionism with echoes of Gabriel Faure.
Charles Bordes (1863-1909) Suite Basque for Flute and String Quartet, Op.6	All voices generously treated. One of the few chamber works to present Basque folk melody. Good for concert & home.
Alexander Borodin (1833-1887) String Trio for 2 Violins & Cello in g minor	One of Borodin's earliest works based on the famous Russian folk song 'What have I done to hurt you'
Alexander Borodin (1833-1887) String Trio No.2 for 2 Violins & Cello in G Major	Perhaps Borodin's first chamber music work. Showing the influence of Mozart, Hummel and the early Romantic composers.
Alexander Borodin (1833-1887) String Quartet No.1 in A Major	A first class work from his mature period with many very original tonal ideas and colors.
Alexander Borodin (1833-1887) String Quartet No.2 in D Major	The 3rd Movt is perhaps the most famous piece he ever wrote, but the rest of the quartet is undeservedly unknown & 1st rate
Alexander Borodin (1833-1887) String Sextet in d minor, Op. Post.	An early, Mendelssohnian work from Borodin's time in Germany with Russian folk melody.
Alexander Borodin (1833-1887) Intro & Gliding Dance of the Polovtsian Maidens for Piano Quintet	An arrangement of the first Polovtsian Dance from the opera Prince Igor makes a very effective short piece or encore.
Alexander Borodin (1833-1887) Piano Trio in D Major	An early work, dating from around 1860 from his time in Italy. It has a Mendelssohnian flavor to it.
Alexander Borodin (1833-1887) Piano Quintet in c minor	One of the few early works to survive in its entirety, the quintet boasts lovely Russian melodes & fine part writing
Hakon Børresen (1876-1954) String Sextet in G Major, Op.5	Highly praised by Edvard Grieg, a true Nordic sounding sextet with wonderful melodies and find part writing
Dmitry Bortniansky (1751-1825) Piano Quartet or Quintet in C Major (1787)	Can be played in either version. One of the earliest examples of chamber music by a Russian composer
Enrico Bossi (1861-1925) Romanze for Viola or Cello & Piano, Op.89	A lovely work characterized by gorgeous, dreamy melodies. Emotive and very effective.
Enrico Bossi (1861-1925) Piano Trio No.1 in d minor, Op.107	Original. By turns powerful, dramatic and lyrical, it is a fusion of Italian bel canto & German Romanticism
Enrico Bossi (1861-1925) Piano Trio No.2 in D Major, "Trio Sinfonico, Op.123	As the title implies, written on a huge scale. A foundation work of modern Italian music. Very dramatic, romantic.
Giovanni Bottesini (1821-1889) Gran Quintetto No.1 for String Qt & Bass in c minor, Op.99	An exciting work, full of drama and fetching operatic style melodies.A A sure pleaser if presented in concert.
Giovanni Bottesini (1821-1889) String Quintet No.2 (2 Cellos) in e minor (1862)	A work full of charm, appealing melodies and fine writing for both cellos, but can also be played by cello & bass
Pietro Bottesini (1792-1874) Introduzion, Theme & Variations for Fl, Cln & Str Qt	Father of bassist Giovanni. A charming and appealing work intended to showcase the flute and clarinet in the style of Rossini and Donizetti
Rutland Boughton (1878-1960) Celtic Prelude for Piano Trio	Subtitled "Land of Heart's Desire', the title of a Yeats play, this fine short works features Irish folk melodies.
Nadia Boulanger (1887-1979) Three Pieces for Cello and Piano (1914)	Interesting, atmospheric works in post-impressionist style which can be used separately or together the length of a short sonataA
Fritz Bovet (1825-1913) String Quartet in d minor, Op.14	Appealing melodies & excellent part writing & not at all difficult make this a fine choice for amateurs,
York Bowen (1884-1061) Suite for Violin & Piano in d minor, Op.28	A massive work dedicated to the famous violinist Fritz Kreisler combines late Romanticism with some French Impressionistic ideas
York Bowen (1884-1061) String Quartet No.2 in d minor, Op.41	A combination of power, drama and romance. His style has been called Rachmaninov with a touch of impressionism.
Francisco Braga (1868-1945) Piano Trio (1905)	A powerful and dramatic late romantic, early modern Brazilian masterwork with echos of the jungle & the bustle of urban life.
Gaetano Braga (1829-1907) Souvenir du Rhin for Cello & Piano	A virtuosic recital or competition piece make a perfect encore. Lovely Italian melodies with technical fireworks
Johannes Brahms/Joseph Joachim Hungarian Dances for Violin and Piano	More famous than the original for piano 4 hands made by Brahms' close friend the violin virtuoso Joseph Joachim
Johannes Brahms/Alfredo Piatti Hungarian Dances for Cello and Piano	Also more famous than the original. A very effective arrangement by the famous cellist Alfredo Piatti
Johannes Brahms (1833-1897) Clarinet Trio in a minor, Op.114	We offer this famous trio in the standard version but also in a superb version for clarinet and BASS as well as one for violin or viola & cello.
Johannes Brahms (1833-1897) String Sextet No.1 in B flat Major, Op.18	We offer this famous sextet in the standard version as well as a superb version for cello and BASS.
Johannes Brahms (1833-1897) String Sextet No.2 in G Major, Op.36	We also offer this famous sextet in the standard version as well as a superb version for cello and BASS.
Johannes Brahms/Theodore Kirchner Piano Trio arrangement of String Sextet No.1 Op.18	Brahms asked Kirchner to make this fine arrangement, once more famous and more performed than the original.
Johannes Brahms/Theodore Kirchner Piano Trio arrangement of String Sextet No.2, Op.36	Ditto for work. It was done at Brahms' request & for a long time was more famous & more performed than the original.
Caspar Joseph Brambach (1833-1902 Piano Quartet No.1 in E flat Major, Op.13	Powerful, full of good melodies and fine part-writing that belongs in the front rank of works from this period
Caspar Joseph Brambach (1833-1902 Piano Quartet No.3 in g minor, Op.110	A late Romantic-era masterwork. This piano quartet has it all. A must for the concert hall & still good for amateurs
Caspar Joseph Brambach (1833-1902 Piano Sextet (2 Vln, 2 Vla & Vc) in c minor, Op.5	An ingratiating work that is fun to play, sounds good and presents no technical problems. A fine concert choice.
Jan Brandts Buys (1868-1933) Violin Sonata in a minor, Op.26	Simple folk melodies given original rhythmic accompaniments create an original sounding work.
Jan Brandts Buys (1868-1933) String Quartet in c minor, Op.19	Recommended by critics for both concert & home. Very appealing late-romantic, early modern work.
Jan Brandts Buys (1868-1933) Suite in the Ancient Style for String Quartet, Op.23	A charming, light work, finely written with no technical difficulties that pays tribute to the baroque & classical eras
Jan Brandts Buys (1868-1933) Romantische Serenade for String Quartet, Op.25	Lovely early 20th century Central European impressionist masterpiece where the viola shines throughout.
Jan Brandts Buys (1868-1933) Sicilian Serenade for String Quartet, Op.28	Highly recommended by the Altmann in the Handbook for String Quartet Players as a program choice.
Jan Brandts Buys (1868-1933) Christmas Quintet in D Major for Flute & String Quartet, Op.21	An interesting & original sounding work which combines the voices seamlessly. Good for concert & home.
Jan Brandts Buys (1868-1933) String Sextet in D Major, Op.40	Highly praised by critics this sextet can be played for 3 violins, 2 violas & cello or by a standard string sextet.
Max Brauer (1855-1918) Sextet in g minor for Piano and Winds	A masterwork for this ensemble. Melodies are fetching & the part-writing superb. Excellent for concert & home.
Johannes van Bree (1801-1857) String Quartet No.1 in a minor (1833)	A work by a long-time 1st violin of a famous string quartet. The work is appealing and tuneful
Johannes van Bree (1801-1857) String Quartet No.3 in d minor (1848)	Mid Romantic work which takes Mendelssohn for its inspiration. Excellent part-writing with fetching melodies
Tomás Bretón (1850-1923) Quatre (4) Morceaux Espagnols for Piano Trio	Dedicated to Pablo Casals in 1913, these are beautiful, highly emotive pieces conjuring up pictures of Old Spain
Tomás Bretón (1850-1923) Piano Trio in E Major	An amalgam of the early Viennese romantics fused to late French romanticism. Fine part writing and melodies.
Tomás Bretón (1850-1923) String Quartet No.1 in D Major	Combines the influences of the Vienna classics with Bruckner, the French impressionists & Spanish melody.
Tomás Bretón (1850-1923) String Quartet No.3 in e minor-World Premier Edition	An outstanding, very Spanish sounding work combining modern influences. A must for concert but also home.
Jean Baptiste Bréval (1753-1823) Cello Sonata in G Major (1787)	Here is very good work from the end of the French Classical period which shows off the cello with elegance.
Jean Baptiste Bréval (1756-1825) Three Trios for Violin, Cello and Bass, Op.39	A rarity to be sure. Full of elegant, graceful melodies. A good choice for pro ensembles and for amateurs
Frank Bridge (1879-1941) Allegro appassionato for Viola & Piano (1908)	An excellent shorter recital work which exploits all of the viola's tonal possibilties.
Frank Bridge (1879-1941) Phantasie for String Quartet in f minor (1902)	Prize-winning work which pioneered the new, emerging early 20th century British style of writing.
Frank Bridge (1879-1941) Rhapsody Trio for 2 Violins & Viola (1928)	A late work from his so-called modernist period. It has a mysterious and elegant quality with fine part writing.
Frank Bridge (1879-1941) Cherry Ripe for String Quartet (1916)	Based on an English folksong. Tremendous showcase for String Quartet. Imaginative & captivating.
Frank Bridge (1879-1941) Sally in Our Alley for String Quartet (1916)	A romantic, lovely short work based on an English folksong. Combines traditional with modern approach
Frank Bridge (1879-1941) Sir Roger de Coverley for String Quartet (1922)	The last of the English folksongs for quartet. Here presented in a serious of ingenious variations.
Frank Bridge (1879-1941) Three Idylls for String Quartet	Short tone poems tonally far ahead of their time, with elements of the blues and Latin music.
Frank Bridge (1879-1941) Three Novelletten for String Quartet	Finely drawn character pieces, drawing on many moods, at times very modern at others quite romantic.
Frank Bridge (1879-1941) String Quartet No.1 in e minor (1906)	Highly original, full of passion, drama and fresh ideas, Bridge's use of chromaticism is very telling
Frank Bridge (1879-1941) String Sextet in E flat Major (1912)	A Post-Brahmsian work, combining English melody with touches of French impressionism. Power and impressive work
Frank Bridge (1879-1941) Three Miniatures Nos. 1-3 for Piano Trio	Superb short character pieces of charming simplicity & lovely melodies, perfect little encores or as a short work
Frank Bridge (1879-1941) Three Miniatures Nos. 4-6 for Piano Trio	A sad Romance, a jaunty Intermezzo and a brilliant, upbeat Saltarello make up this set of little gems.
Frank Bridge (1879-1941) Three Miniatures Nos. 7-9 for Piano Trio	Brilliantly written cameos each of which could serve as a superb encore or together as a short concert work.
Frank Bridge (1879-1941) Phantasie for Piano Trio in c minor (1907)	Bridge took the first prize in the prestigious Cobbett Competition with this trio. Post romantic & impressionist
Frank Bridge (1879-1941) Phantasy for Piano Quartet in f# minor (1910)	Considered one of the finest works ever composed for the Cobbett Competitions. An outstanding concert piece.
Frank Bridge (1879-1941) Piano Quintet in d minor (1912)	Dramatic and powerful, the music speaks with Bridge's own voice. Fine part-writing and effective themes.
Hans von Bronsart (1830-1913) Piano Trio in g minor, Op.1	Liszt called it one of the best works of its time (1856). An original, fresh, dramatic and powerful mid Romantic work.
Max Bruch (1838-1920) Romanze F Major for Viola and Piano, Op.85	Extraordinarily beautiful melodies and highly emotive writing for the viola create one of its best recital pieces
Max Bruch (1838-1920) Piano Trio in c minor, Op.5	A youthful work full of lovely melodies and dramatic episodes. Originally conceived. Grateful to play.
Max Bruch (1838-1920) Piano Quintet in g minor, Op. Post.	Unlike his quartets or piano trio, this is a work from his prime. Completed in 1888 but published posthumously
Max Bruch (1838-1920) Double Concerto in e minor for Clarinet or Violin, Viola & Piano, Op.88	Superb adaptation of his work for orchestra. Even more effective as a chamber music work. Great for concert.
Max Bruch (1838-1920) String Quartet No.1 in c minor, Op.9	Fine mid-romantic era work with appealing melodies and lots of excitement. In the Mendelssohnian tradition.
Max Bruch (1838-1920) String Quartet No.2 in E Major, Op.10	Unjustly over looked first rate mid romantic era work. Mendelssohnian but very original rhythms and themes.
Anton Bruckner (1824-1896) String Quartet in c minor	This fine quartet shows how Bruckner's roots were firmly in the classics. Excellent part writing and good melodies.
Anton Bruckner (1824-1896) String Quintet (2Vla) in F Major	A unique masterpiece within the literature. Paralleling the grandeur of his symphonic works.
Anton Bruckner (1824-1896) Intermezzo for String Quintet (2Vla) in d minor	This little gem was composed on the request of the famous violinist who asked Bruckner for a string quintet.
Ignaz Brüll (1846-1907) Piano Trio in E flat Major, Op.14	A pleasing work by this friend of Brahms with fine part writing and fetching melodies. No technical difficulties.
Bartolomeo Bruni (1757-1821) Six String Trios, Op.36 for 2 Violins & Cello or 2 Violins & Viola	These trios with appealing melodies and excellent part-writing were quite popular. Good for concert & home
Franciszek Brzeziński (1867-1944) Violin Sonata in D major, Op.6	A lovely and very original work combining neo-romanticism with the modernist trends of the early 20th century (1909)
Ole Bull (1810-1880) Polacca Guerriera for Violin and Piano	Some say Bull was not a virtuoso. This work, intended for his own use puts paid to that false idea.
Ole Bull (1810-1880) Sæterjentens Søndag for String Trio	Johan Svendsen's very effective arrangement of Bull's famous melody (in English the Dairymaid's Sunday)
August Bungert (1845-1915) Piano Quartet in E flat Major, Op.18	Awarded first prize by Brahms & Volkmann, this fine work is filled with wonderful melodies & fine part writing.
Giuseppe Buonamici (1846-1914) String Quartet in G Major (1870)	Called a treasure of the quartet literature, this beautiful work, is not difficult and is a pleasure to play.
Max Burger (1856-1917) Jugendtrio in G Major, Op.66	Intended for young people, students & amateurs, this is a 1st rate work good enough for concert hall.
Norbert Burgmüller (1810-1836) String Quartet No.4 in a minor, Op.14	Schumann said Bugmuller's a great a loss to the musical world and was responsible for seeing this work published
Adolf Busch (1891-1962) Piano Trio No.1 in a minor, Op.15	Dark and brooding, beautiful, dramatic, strident and riveting, this is an important modern piano trio, a powerhouse in the concert hall.
Adolf Busch (1891-1962) Serenade for String Quartet, Op.14	A very appealing neo-classical work. Excellent part-writing and not at all difficult to play. Good for concert and for amateurs.
Ferruccio Busoni (1866-1924) Serenata for Cello & Piano, Op.34	A charming, lyrical work which shows off the cello to good effect and which would make a fine shorter recital choice
Ferruccio Busoni (1866-1924) Kleine Suite for Cello & Piano, Op.23	No little suite as the title suggests but a full length tribute to Bach by one of his greatest interpreters. A rectial selection
Ferruccio Busoni (1866-1924) Elegia for Clarinet and Piano (1920)	Dark hued and evocative, lyrical yet sad, one of the finest of its type for the clarinet. Not to be missed.
Ferruccio Busoni (1866-1924) Violin Sonata No.1 in e minor, Op.29	An important work in the Austro-German romantic tradition which definitely belongs in the recital hall.
Ferruccio Busoni (1866-1924) Violin Sonata No.2 in e minor, Op.36a	A work, which though rooted in traditional tonality, begins to point in a new direction leaving romanticism behind.
Ferruccio Busoni (1866-1924) String Quartet No.1 in C Major, Op.19	A work of great breadth. By turns brooding, heroic and humorous. This is a clever and winning work.
Ferruccio Busoni (1866-1924) String Quartet No.2 in d minor, Op.26	An incredible quartet with tonalities way ahead of its time (1889). A masterwork from the post romantic period.
Ferruccio Busoni (1866-1924) Three Character Pieces for Clarinet & String Quartet	Written at the age of 13-15 these highly emotive and lovely works clearly show what a prodigy Busoni was and why he impressed Brahms
Ferruccio Busoni (1866-1924) Concerto for Piano and String Quartet in d minor, Op.17	This is an amazing work in view of the fact that it was written by a 12 year old! Good choice for concert.
Dietrich Buxtehude (1637-1707) Trio Sonata in D Major, Op.2 No.2 for Piano Trio	A valuable work by one of the most important composers of the German Baroque. The writing for cello equals that for the violin.

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