Presents
Enrico Bossi
Piano Trio No.1 in d minor, Op.107
Marco Enrico Bossi (1861-1925) was born in Salò, a town in Lombardy, into a family of musicians. His father was organist at Salò Cathedral. He studied organ, piano and composition at the conservatories in Bologna and Milan. Among his teachers was Amilcare Ponchielli. Bossi enjoyed a career as an organ soloist but also as a music educator. He became a professor of organ and harmony at the Naples Conservatory, later serving as director of the conservatories in Venice, Bologna and Rome. He was responsible for establishing and implementing the standards of organ studies that are still used in Italy today. As a concert organist, he made numerous international organ recital tours, which brought him in contact with well-known colleagues such as César Franck and Camille Saint-Saëns.
Only recently has his importance as a composer
been recognized. Bossi wrote more than 150 works for various genres including
orchestral works, operas, oratorios, and chamber music, as well as many pieces
for piano and organ. His compositions are still largely unknown, except for his
organ works. His Piano Trio No.1 in d minor, Op.107 was composed in 1896. It is
in the tradition of the late Romantic movement, but also features episodes of
what was then surely daring tonalities. It is a big work and shows his concern,
perhaps taken from his training as an organist, for great sound surfaces as well
as the large range of tonal color he Presents
. The opening movement, Allegro
moderato, which begins with a loud piano flourish is an good example of this
interest. The attractive main theme has a wayward lilting quality. Dramatic
tension gradually builds to a climax which is quickly relaxed by the appearance
of the lyrical seocnd theme. The sentimental second movement, Dialogo,
Larghetto, combines a rich tonal palette with the fusion of Italian bel
canto style and German romanticism. Next comes a Scherzo, vivace. It has
combines a quirky rhythm with a kind of updated Mendelssohian dance of the
goblins. The finale, Festoso, as the title suggests has a festive quality. The
modern bouncy main theme playfully inserts mild dissonances here and there just
to keep the listeners on their toes.
Writing in his Handbook for Piano Trio Players, Wilhelm Altmann calls this work "Noteworthy" and we agree. It is original and unusual combining early Italian modernism with late German romanticism. Out of print for may years, we are pleased to present it once again.
Parts: $29.95
