Presents
Joseph Wölfl
Piano Trio in E Major, Op.23 No.2
Joseph Wölfl (1773-1812, the name is often spelled Woelfl) was born in Salzburg. He studied violin, piano and composition there with Leopold Mozart (Wolfgang’s father) and Michael Haydn (Joseph’s brother). In 1790, he moved to Vienna where it is thought he briefly studied with Wolfgang Mozart. Wölfl became a virtuoso pianist and was sometimes considered to be Beethoven’s equal. It was on Wolfgang’s recommendation the Wölfl was able to procure a position with Count Michal Casimir Oginski as a piano teacher in Warsaw. During the political upheavals in Poland he returned to Vienna and then began a career as a touring concert pianist, eventually settling in Paris (1801-1805) and then London where he spent the rest of his life. Wölfl wrote operas, ballets, symphonies, works for piano, songs and quite a lot of chamber music, including some 25 string quartets, 3 string quintets, 15 standard piano trios and several others for various instrumental combinations with piano. In addition to this, he wrote dozens of sonatas and other works for violin and piano, flute and piano and harp and piano. Wölfl's music is of a very high quality and it would not be an exaggeration to say it the equal to Haydn's. It was often performed during his lifetime and for several decades thereafter when it inexplicably disappeared from concert stages.
Op.23 No.2 in E Major is the second of a set of three which were published in 1803 and completed the year before, while he was sojourning in Paris. The opening movement begins quietly with a Largo introduction which leads to the main section, an upbeat Allegro molto, which recalls Haydn except that the part writing for the strings is much better. The second movement, Andante con moto, begins sounding like an etude, but quickly changes into a lovely, lyrical melody. In the third movement, Menuetto, presto, burst forth full of energy and forward drive. The finale, Presto, could be subtitled la chasse, as it race around with snipets of melody passed from voice to voice. As in the first of the set, again the cello is given a real part to play and is not just a double of the piano bass line.
Sadly, there have been no new editions for 200 years. We have reprinted the 1803 edition and while it is not at all hard to read, we wish to make clear this is in no way a modern edition. We have worked hard to clean it up but here and there one will find a few flecks. The piano part, like all piano parts from this period is only the piano part and not a piano score. As such, we offer it at a substantial reduction from our standard piano trio price.
Parts: $19.95
